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October 2009 | Issue Seven For the past month I have been busy making changes on an almost daily basis to the Arte Maya website. Most of these changes have been to the Photographs section, a section of the website that I have neglected for a long time. Of all the changes I have made to the website in the past several years, I am most pleased about these additions. The purpose of the current newsletter is to encourage you to visit this section. The rains did not come to Guatemala this year, and as a result many of the crops have failed. The prices of produce have doubled or tripled. This is especially hard on the subsistence farmers. Many people are facing severe hunger in parts of Guatemala. The government has declared a state of emergency which will allow them to get international help. So far I have only been able to get out a newsletter two or three times
a year. If you wish to be removed from the mailing list of this
newsletter, please email me,
and put Remove as the subject line. | |||||||||||||||||||||||||||||||||||||||
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Be informed immediately of Artemaya website updates
through Twitter If you want to know when a new painting by your favorite artist is posted, we now can inform you right away through Twitter. Just add Artemaya to your Twitter account. In the past, changes and additions to the website have been mentioned in the newsletter, and posted in the “What’s New” page of the website. Twitter will let you know immediately when these postings take place. | ||||||||||||||||||||||||||||||||||||||||
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2010 Art Maya Calendar The 2010 Arte Maya calendar is now out. It is in both English and Spanish. The calendar includes photographs and biographies of the twelve Maya artists whose paintings appear in the calendar. The calendar includes three women artists—two Tz'utuhil and one Kaqchikel women. Paula Nicho Cumes’s painting from the calendar is featured in the heading for this newsletter (above left). The front cover is a detail of one section of a triptych by Pedro Rafael Gonzalez. The subject of the triptych is a procession in San Pedro la Laguna in around 1950.
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Documentary on Maya Backstrap
Weaving Kathleen Vitale of Endangered Threads Documentaries in her third video: Manuela & Esperanza: The Art of Maya Weaving tells the story of two accomplished Maya weavers, Manuela Canil Ren of Chichicastenango and Esperanza Pérez of San Antonio Aguas Calientes (pictured left). The video follows them as they weave traditional blouses (huipiles) in less than three months. The weavings done in San Antonio Aguascalientes use among the most difficult weaving techniques, the double sided brochade. In addition to seeing how these two different weavers set up their looms, do the weaving, and finish the huipiles, we are able to share the generous spirit of these two very different Maya weavers. ![]() | ||||||||||||||||||||||||||||||||||||||||
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